In the landscape of modern horror, the "creepy house" trope is often sustained by a singular, enigmatic figure—a presence that bridges the gap between the living and the dead. In Keith Thomas’s 2019 directorial debut, The Vigil (marketed as Asylum in various territories), that figure is Leah.
When Yakov arrives at the dilapidated home of the recently deceased Mr. Litvak, he is entering a world governed by ancient Jewish customs and a very modern sense of isolation. Into this claustrophobic setting enters Leah.
.
