| Name | Primary Field | Known For | Notable Collaborations | |------|----------------|-----------|------------------------| | | Visual arts & multimedia | Experimental video installations, mixed‑media sculptures, and immersive digital experiences. | Worked with contemporary choreographers, sound designers, and tech collectives (e.g., Glitch Lab , FutureForm ). | | Winnafred Flurry | Experimental music & sound design | Avant‑garde electronic compositions, field‑recording projects, and sound‑scape installations. | Frequently partners with visual artists, particularly Alexis Tae, and with experimental theatre groups. |
When Tae and Flurry interact, the immediate result is friction. Tae views Flurry as a liability—a variable that cannot be calculated. Flurry views Tae as rigid—a machine incapable of improvisation. Yet, it is precisely this friction that generates their collective power. alexis tae & winnafred flurry
| Theme | How It Manifests | Example | |-------|------------------|---------| | | Uses raw data (e.g., sensor feeds, climate data) as the raw material for both sound and image. | “Cicada Resonance” (environmental data). | | Feedback Loops | Real‑time interaction where audience input modifies the work, which then influences the audience again. | “Flux” – live chat feeding the algorithm. | | Temporal Displacement | Juxtaposes archival sounds/images with contemporary digital media, creating a dialogue across time. | “Echoes of the Archive”. | | DIY Tech | Builds custom hardware (e.g., Arduino‑controlled light rigs, modular synth modules) to retain artistic control over the signal chain. | Flurry’s contact‑mic arrays for field recordings. | | Immersive Spatialization | Employs multi‑channel speaker arrays and 360° projection to envelop viewers. | “Synapse” used a 12‑speaker surround system. | | Name | Primary Field | Known For