While at Dr. Knight’s office, Jamie meets Maggie Murdock (Anne Hathaway), a sharp-tongued, beautiful patient who overhears his bullshit and calls him out. They begin a no-strings-attached sexual relationship, as Maggie, who has stage 1 Parkinson's, insists she doesn’t want a caregiver or a "project." Jamie agrees, believing he’s incapable of real love. As Jamie successfully pivots to selling Viagra (turning skeptical doctors into believers with little blue pills and risqué sales tactics), his relationship with Maggie deepens beyond sex. He takes her to Chicago, buys her art supplies, and stays with her during a terrifying Parkinson’s episode. For the first time, he feels genuine vulnerability.

An uneven but heartfelt rom-com that dares to ask if love is still love when you can’t cure the person you’re with—and answers with a trembling, tearful yes.

As Jamie rises through the ranks, becoming a top salesman for Viagra, the irony becomes apparent: he can cure physical dysfunction, but he struggles to maintain his own emotional function. The pharmaceutical setting provides a biting satire of American capitalism, where health is commodified, but it also serves as a contrast to the messy, uncurable reality of love and mortality.