Panu Galpo

The children leaned in. The adults, too, stopped grinding spices.

The most striking aspect of Panu Galpo is its refusal to be truly terrifying. In Western literature, ghost stories for children often aim for a safe scare—something that makes a child jump but ensures they know it’s fiction. Upendrakishore Ray Chowdhury, however, approaches the "spooky" with a sense of mischief and whimsy. panu galpo