The Penguin Cinematography Link

And if you are Oz Cobb? Watch your back. Because the camera certainly is.

If The Batman was painted in sludge and shadows, The Penguin is painted in the colors of a bruise healing wrong. The show establishes a color theory that is sickly and claustrophobic. The palette is dominated by sickly greens, bruised purples, and muddy browns. the penguin cinematography

When the two characters finally share a frame, the lighting clashes. Half of Oz’s face will be blue/gray; half of Sofia’s will be burning orange. It’s a subtle way of telling the audience: These two do not belong in the same universe, but they are forced to share a rotting one. And if you are Oz Cobb

The show utilizes a sophisticated color strategy to define its characters and mood: If The Batman was painted in sludge and

Oz Cobb (Farrell) isn't a sky-dwelling hero; he’s a sewer rat. The cinematography traps him constantly. Look at the frame composition in the first episode: Oz walks through the ruined streets of Crown Point, and the buildings lean in on him. The camera looks up, showing power lines like a cage, or looks down from tenement windows, reducing Oz to a tiny, desperate speck.