That series was born from frustration. In Japan, we have this word "ma" (間)—the pause, the interval. I wanted to see if I could make the interval physical. I took industrial felt—something hard, used for machinery—and cut slits into it. Then I wove copper wire through the slits, pulling it tight until the felt buckled.
: Nikkei Entertainment interviewed her about the "way of a female voice actor," highlighting her "sweet and crystal clear voice" and her evolution from fan to industry lead. Reddit +2 If you meant someone else, such as a specific business professional or local figure, please let me know! AI can make mistakes, so double-check responses Copy Creating a public link... You can now share this thread with others Good response Bad response 6 sites Animestyle 2019/12 - MP100 Interview Translation Dec 28, 2019 — rie tachikawa interview
Rie Tachikawa: Working on K-On! was an incredible experience. The staff was amazing, and we all shared a passion for music and comedy. When designing the characters, I drew inspiration from my own experiences as a high school student, as well as from classic anime and manga. I wanted to create characters that were relatable, yet quirky and unique. I think that's what made the show so endearing to audiences. That series was born from frustration
(Pauses) Yes. In "Unwoven," I stopped pulling the threads tight. I let them hang. I created pieces that were literally falling apart—edges fraying, wefts gaping. My students asked, "Isn't that just damage?" I said, "No. That is honesty." Reddit +2 If you meant someone else, such