The first half is a series of comedic misadventures revolving around their romantic pursuits and their collective crush on the new neighbor, a doctor named Priya (Namitha Pramod). However, the tone shifts in the second half when they are embroiled in a kidnapping mystery involving a small girl, forcing them to prove their innocence.
Things take a turn when they accidentally get involved in a local feud involving a wealthy, arrogant landlord’s son. The trio’s friendship is tested when they each fall in love with different women, leading to confusion, comedy, and a dramatic climax. The film balances slapstick humor with emotional moments about friendship, family, and sacrifice.
Note: The title is a nod to the 1977 Hindi film Amar Akbar Anthony , but the story is completely original and different. amar akbar anthony malayalam movie
Lyrics by , music by Nadirshah .
The story takes a turn when the three friends meet again after many years, and they get entangled in a series of hilarious misadventures. They become friends again and get involved in a series of crazy events, including a riot, a love triangle, and a comedy of errors. The first half is a series of comedic
The film's primary strength lies in the chemistry of its lead "terrific trio"—Prithviraj, Indrajith, and Jayasurya—who reunited for the first time since the 2006 hit Classmates . Nadirshah Screenwriters: Bibin George and Vishnu Unnikrishnan
| Actor | Role | |-------|------| | Nivin Pauly | Anthony | | Jayasurya | Amar | | Indrajith Sukumaran | Akbar | | Namitha Pramod | Priya (Anthony’s love interest) | | Aju Varghese | Support role (comic sidekick) | | Sreenivasan | Important supporting role | | Kalabhavan Shajohn | Antagonist | The trio’s friendship is tested when they each
The film is not without its faults. The plot is wafer-thin, and the central conflict in the second half (the kidnapping) feels slightly forced and resolves a bit too conveniently. Some of the humor relies on outdated tropes, particularly regarding the character of the police officer, which might feel repetitive to modern audiences. The romantic track, while cute, serves mostly as a plot device rather than a deep narrative element.