Data were coded using NVivo 12, and visual findings were illustrated with original screenshots (used under fair‑use for scholarly critique).
The convergence of personal narrative and feminist critique has been explored extensively in works by McRobbie (2016) and Haraway (2021). Both authors emphasize the capacity of personal storytelling to foreground systemic inequities. Borja’s videos, which frequently foreground bodily experience, gendered labor, and queer desire, can be read through this critical lens. vika borjas videos
Borja’s videos have been screened at the São Paulo Museum of Modern Art (2023), the International Festival of New Media (2024), and the Venice Biennale’s “Digital Currents” section (2025). Curatorial statements often cite her ability to “translate the vernacular of everyday life into a critical visual language.” Data were coded using NVivo 12, and visual
