Perhaps the most disruptive aspect of Blackmagic Design’s hardware is its integration with their software ecosystem, specifically DaVinci Resolve. The URSA Mini Pro G2 records in Blackmagic RAW (BRAW), a format that retains the high quality of raw data while maintaining manageable file sizes that do not overwhelm computer processors during editing. This codec creates a seamless pipeline from capture to color grading, allowing filmmakers to make extensive adjustments to white balance, ISO, and highlight recovery in post-production without degrading the image.
It features high-quality IR compensated ND filters (2, 4, and 6 stops). This allows you to maintain a shallow depth of field in bright sunlight without fumbling with screw-on filters. blackmagic design ursa mini pro 4.6 k g2
: Capable of recording full sensor 4.6K at up to 120 fps , windowed 4K DCI at 150 fps , and windowed 1080 HD at 300 fps for smooth slow-motion. Perhaps the most disruptive aspect of Blackmagic Design’s
One of the most significant design advantages of the URSA Mini Pro G2 is its built-in Neutral Density (ND) filters. In a move that delighted documentary filmmakers and run-and-gun shooters, Blackmagic integrated a mechanical wheel on the left side of the camera that physically rotates optical ND filters into place behind the lens mount. This feature—usually reserved for broadcast cameras costing significantly more—allows operators to adjust exposure without changing shutter speed or aperture, a crucial advantage when moving quickly between indoor and outdoor environments. Additionally, the camera features a bright, flip-out 4-inch touchscreen monitor. While external monitors are often used on set, the integrated screen provides an intuitive interface for changing settings and reviewing footage without adding bulk to the rig. It features high-quality IR compensated ND filters (2,
If you're wondering whether to buy the original Ursa Mini Pro or the G2, here is the difference maker:
The Blackmagic Design URSA Mini Pro 4.6K G2 stands as a testament to the company’s philosophy of democratizing high-end filmmaking. It combines the robust build and broadcast-friendly features of a studio camera with the image quality and dynamic range of a cinema camera. By addressing the frame rate limitations of the first generation and retaining the user-friendly features like internal ND filters and the BRAW workflow, the G2 has solidified its status as a true workhorse in the industry. For cinematographers seeking a camera that offers a professional feature set without the exorbitant price tag of a RED or ARRI system, the URSA Mini Pro 4.6K G2 remains one of the most compelling options on the market.