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La favela precipita in una guerra totale e sanguinosa tra la fazione di Zé Pequeno e quella di Mané Galinha (Sandro Cenoura), un ex soldato in cerca di vendetta per le violenze subite dalla sua famiglia. city of god altadefinizione
To capture the intensity of life in the favela, Meirelles employs what film critic Roger Ebert described as an "aesthetic of hysteria." The use of handheld cameras, rapid cuts, and saturated colors creates a sense of immediacy and chaos. This style is reminiscent of the Dogme 95 movement or the films of Danny Boyle, yet it serves a specific narrative purpose here. La favela precipita in una guerra totale e